Read + Write + Report
Home | Start a blog | About Orble | FAQ | Sites | Writers | Advertise | My Orble | Login

1975 Changed Everything

November 6th 2006 13:05
Australian film industry
Australian film industry





As an Australian genre film-maker I have long held the belief that 1975, particularly the release of Picnic at Hanging Rock, was a watershed for Australian films and art culture in general.

In a negative way.
Picnic at Hanging Rock was, in my view, the catalyst for how the promotion of art culture moved from an art-industry to a “boy in the bubble” bo-hoo mentality that is now so prevalent. It was seen by some as an opportunity to create a new way forward. A way of chasing off the entrepreneurs and instilling the art cry-babies. This mentality is both the cause and affect of the mess we now find Australian art culture currently in.
I don’t dislike Picnic at Hanging Rock, I dislike the attitude that has come from its mythological podium – that all films must promote an Australianness, must have “artistic merit” regardless of any commercial obligation and subscribe to a contrived sense of sophistication. We now find ourselves with an art-industry (predominately films, but also theatre) that seems relaxed with the concept of loosing money and exists only by being propped up by government subsidies. What other industry survives on that? And it’s not like Australians don’t watch films – they do.
It’s as if everyone who fell under this “mentality” spell in 1975 now hold positions of funding control and teaching and actively promote this. To our detriment.

Art culture is attached to entertainment and entertainment involves a target market. Audiences will happily pay to see something they enjoy watching. Shakespeare was a master of this understanding and a new generation of film-makers would do well to embrace that same approach.
I happily follow this understanding and although may never produce a government funded film that looses money to such applause, I see myself creating for a lot longer than many and isn’t that the whole point?
I think Stone and The Man from Hong Kong, produced at the same time, are great films but were caught up in this sad lah-lah vacuum. Their shunning not only proves my point but also is a stunning murder-one inditement of the situation Australia finds itself in.
Australia can make successful and entertaining art, there just has to be a big-time attitude change.

Until next time and happy film-making.
36
Vote


   
Subscribe to this blog 


Just this blog This blog and DailyOrble (recommended)

   

   

   


Add A Comment

To create a fully formatted comment please click here.


CLICK HERE TO LOGIN | CLICK HERE TO REGISTER

Name or Orble Tag
Home Page (optional)
Comments
Bold Italic Underline Strikethrough Separator Left Center Right Separator Quote Insert Link Insert Email
Notify me of replies
Notify extra people about this comment
Is this a private comment?
List the Email Addresses or Orble Tags of the people you would like to be notified about this comment


One per line max of 30

List the Email Addresses or Orble Tags of the people you would like to be notified about this private comment thread. Only the people in this list will be able to see or reply to your comment.


One per line max of 30

Your Name
(for the email going out to the above list, it can be different to your Orble Tag)
Your Email Address
(optional)
(required for reply notification)
Submit
More Posts
2 Posts
2 Posts
5 Posts
105 Posts dating from October 2006
Email Subscription
Receive e-mail notifications of new posts on this blog:
0

Eric Samulski's Blogs

175 Vote(s)
1 Comment(s)
6 Post(s)
Moderated by Eric Samulski
Copyright © 2006 2007 2008 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]